Tuesday, November 30, 2010
Αfter the unassuming debut, Sophia's sadcore assumed formal perfection with The Infinite Circle, a set of depressed, philosophical, epic, stately ballads ("Directionless", "If Only", "I'd Rather", "Every Day", "Woman"). These songs displayed a rare magniloquence, which bridged romanticism, the requiem, the meditation, the poetry of Leonard Cohen, the transcendence of Tim Buckley, the bombast of Scott Walker. In fact, their epic nature overcomes the manic depression, thus becoming a metaphor for the human condition ("Bastards", "Within Without", "River Song"), and with the reprise of "Directionless" completing a perfect circle, which is a metaphor for life itself. Get it here.