The Polysics refined their derranged pinball-tilts of songs to a formidable degree in Neu (the name paying tribute to?..).
"Go Ahead Now" introduced their electro epileptic fits - fused with the energy of hardcore, and then taken to an even more extreme level with "MS-17", fueled with nuclear mini-progressive videogame deviations and a devastating beat. "S.V.O." takes Kraftwerk-like discordant electronics (circa Computer World) and builds an elaborate construction of amphetamine robotic frenzy, while "Each Life Each End" declares their ties with derranged ditties, Japanese pop and batty videogames, infused with turbine-like tempo changes and miniature-prog synthetic stylings (not dissimilar to the way later-era DNA stylized their whacky songs).
For example "Disorder" is built around a gargling beat and synthesizer lines, fractured-funk guitar phrases, semi-howling vocals, almost math-rock deviations and an anthemic chorus. The recipe is intensified even more with the frenetic jam "CY/CB". Then "X-Rays" is glam-disco electro with hard-rock guitars and industrial-drill intensity, while "What" goes into cryptic vocoder and new-wave disco-punk mode, and "I'm A Worker" into mental Supermario in fast-forward mode. Get it here.