The Nits' existential synth-pop sounds magnificent on Work. Benefiting from baroque arrangements (verging on chamber) and indulging on suspenseful paranoid atmospheres ("Lodger", "Hobbyland", "Umbrella Army", "Hands Οn Τhe Watch"), extruding a charming playfulness ("Footprint", "Slip Οf Τhe Tongue", "Tables & Chairs", "Buildings"), or even an epic flair ("Empty Room", "Red Tape", "Man Friday").
This belongs more to theatre than music, their deformed pantomime being able to conjure a wide array of emotions.
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