Peter Frohmader's Nekropolis pioneers a number of genres, and also creates a highly original stylistic fusion in Music Aus Dem Schattenreich.
"Holle Im Angesicht" and "Fegefeuer" predate slow-motion doom-metal (and also pair it with the hyper-psychedelic vortex of the keyboards), while "Krypta" predates the dark ambient of bands like Brighter Death Now. At the same time, "Unendliche Qual" uses a kraut groove (but the eerie keyboards submerge it in the realm of the dead) and "Ghul" oozes with disintegrating symphonics. The ever unpredictable Frohmader even uses proto electro beats in "Inquanok".
This is a different kind of horror to, say, Throbbing Gristle's. Whereas TB's is psychological, this is physical: a descendant of the Teutonic Gothic spirit, German expressionism, of kraut rock, HP Lovecraft, of the occult. The resulting atmosphere evokes images of endless time in some kind of netherworld, of a forbidden mass taking place in a cathedral there.
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